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Eiichirō Oda ist ein japanischer Manga-Zeichner. Bekanntheit erlangte er durch seinen Manga One Piece, der mit Millionen verkauften Exemplaren der mit Abstand erfolgreichste Manga Japans ist. Eiichirō Oda (jap. 尾田 栄一郎, Oda Eiichirō; * 1. Januar in Kumamoto, Präfektur Kumamoto) ist ein japanischer Manga-Zeichner. Bekanntheit erlangte er. One Piece: 10 Fakten über Schöpfer Eiichiro Oda, die ihr (vielleicht) noch nicht wusstet. Von Heiner Gumprecht - News vom Eiichiro Oda (jap. 尾田 栄一郎 Oda Eiichirō) wurde am 1. Januar in Kumamoto, Hauptstadt der gleichnamigen Präfektur im Süden Japans, geboren und ist. Eiichiro Oda wurde in der Kumamoto-Präfektur in Japan geboren. gewann er mit seinem bereits zu Schulzeiten kreierten Kurzgeschichtenband ".
Wanted! von Eiichiro Oda - Buch aus der Kategorie Cartoon & Humor günstig und portofrei bestellen im Online Shop von Ex Libris. Eiichiro Oda wurde in der Kumamoto-Präfektur in Japan geboren. gewann er mit seinem bereits zu Schulzeiten kreierten Kurzgeschichtenband ". Januar schlug Eiichiro Oda zum ersten Mal in der südjapanischen Stadt Kumamoto die Augen auf. 21 Jahre später startete der Mangaka.
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In , during his senior year of high school, the seventeen-year-old Oda took interest in Shueisha's prestigious Tezuka Awards.
Having enjoyed Westerns since seeing Young Guns some time prior, he spent four months constructing his first full-length manga: Wanted!
Ultimately, Wanted! In spring of , Oda graduated high school and entered Kyushu Tokai University 's architecture program.
Soon after, he began submitting more work to Shueisha, unaware that his Tezuka honors had qualified him not for Weekly Shonen Jump , but its Monthly offshoot.
In early , encouraged by the honors his manga had received and dreading his freshman exams , Oda dropped out of Kyushu Tokai to pursue a mangaka career in Tokyo, under the authority of editor Kaoru Kushima.
Like most mangaka, Oda began his professional career as an assistant for established Shonen Jump creators. His first assistant work was for the last few chapters of Shinobu Kaitani 's Midoriyama Police Gang ; though only a month long, this tenure gave Oda his first experience with professional manga production, and he cited the sheer beauty of the final drafts always diminished by Jump 's cheap print as an important inspiration.
This was his longest tenure under any single mangaka, and he despite Tokuhiro's noted reluctance to leave any significant work to assistants developed much of his technique drafting backgrounds and crowds for both series.
Simultaneously, Oda conceived many more drafts for his own manga, almost all of which were rejected by Kushima.
Though their relationship remained civil, Oda did not take Kushima's many criticisms to heart until his one-shot Monsters was allowed publication in 's Shonen Jump Autumn Special.
Reading his own work at a remove allowed Oda to recognize many of his artistic inadequacies, spurring him to improve.
However, despite enjoying the atmosphere - and making many new friends - at Watsuki's studio, Oda remained troubled by all the rejections his independent drafts were still facing.
Finally, in a "last-resort" bid for publication, he developed the pirate serial he had conceptualized since high school into a draft titled Romance Dawn.
To his relief, Romance Dawn impressed Kushima enough to approve further development, and was soon published in that year's Shonen Jump Summer Special , to general praise from readers.
Almost concurrent with Romance Dawn 's publication, Oda fell under the purview of a new editor, Takanori Asada, who arranged for him to fill an upcoming gap in Weekly Shonen Jump.
Seizing this extremely rare opportunity, Oda produced a second Romance Dawn draft within two weeks, and saw it published to renewed acclaim.
Despite this, Asada's superiors remained skeptical of the concept and repeatedly refused to serialize it, forcing Asada to argue on Oda's behalf for several months.
In May of , One Piece was finally approved for serialization in Weekly Shonen Jump , and Oda formally resigned as Watsuki's assistant to begin his career as a full-fledged mangaka.
For Oda, constructing the first chapters of One Piece was relatively straightforward. Knowing Jump customarily gave any new serial around ten installments to gauge reader response, he with Asada's help refined the earlier portions of his concept material into eight chapters: seven for a largely self-contained "introduction" arc , and one beginning a second, more elaborate arc.
To Oda's surprise - and delight - it ranked higher in fan response than any of its co-features, prefiguring the series' runaway success.
In following years, One Piece would expand into a considerable franchise, receiving its first animated adaptation in , a full-length anime series in , and its first video game in Oda with Chapter 's color-spread.
In , Oda met Chiaki Inaba, who played Nami during the Shonen Jump Festa , and the two started going out, and in , they got married.
In , he and his wife had a daughter. In April , Oda unexpectedly fell ill and One Piece was not released that week.
However he recovered and resumed One Piece the next week. Because of his recent illness, Oda felt the fans needed to catch up so he created Grand Line Times.
He was also involved in writing and directing the tenth One Piece movie , the first movie that he actually wrote the script for, in honor of the tenth anniversary of One Piece.
Like many other mangaka, Eiichiro Oda uses his signature tools to draw his manga. To make sketches and starting steps of page-drawing, he uses like many other artists around the world, not only mangaka pencils in conjunction with erasers and an art gum eraser to fix errors.
For making corrections after inking, he uses white ink. To paint the color pages, Oda uses Copic markers, a brand of refillable color markers that several other mangaka use for that purpose.
Although it was not confirmed, he has recently shown a tendency to use watercolors for painting, too.
Like many other manga artists, Oda seems to not use digital methods. This is a characteristic he shares with many mangaka, in terms of making a manga the most handcrafted as possible.
He commented in one of the first SBS sessions that he is usually a few approximately 5 chapters farther along than the Shonen Jump ongoing chapters, having a difference of time between when a chapter is finished and sent to Shueisha to be published in the magazine of about 5 weeks sometimes more, sometimes less.
He has also commented on other occasion that he has an average of 5 assistants that help him in the inking and penciling details or backgrounds and application of adhesive graytones.
He has commented that he prefers painting black instead of using graytones, making his art almost black and white, with no gray colors.
He uses graytones only to perform special effects like shadowing a character in a dramatic scene, to demonstrate an underwater panel, to show a scene in darkness or to separate planes , not to color the only exception of this is for Shanks' hair.
Since the manga focuses on the progress of the Straw Hat crew as it journeys through the Grand Line, it is not without a "format". Some of these were standard elements Oda had used before.
As witnessed in his other one-shots, Oda likes to put his characters in extreme situations that they must overcome.
While many of the situations are quite serious, he also enjoys placing a significant amount of humor into the series. Oda is renowned for over using the sound effect "Don" and for giving his characters their own unique Laughter Style.
Oda also favors drawing animals, and is accountable for the numerous appearances of animals within the storyline.
He has also been reported to enjoy drawing ships for the storyline. He often adds plot elements into the storyline and comes back to them many story arcs later, frequently with plot twists related to them, such as the case with the introduction of Luffy's grandfather, Monkey D.
Garp , who was simply introduced as "Garp" in a front page story arc. He also introduced his one-shot "Monsters" into the storyline when there was no indication that any of his past works were going to be included.
At the start of One Piece Oda was reported as worried about his art style. At the time it was more favored to have big-eyed characters than it was to have the more old fashioned dot-eyed style.
One Piece is also noted for its numerous bizarre and extreme character designs, which became more and more common and exaggerated as the series progressed.
One Piece's distinct style has changed quite a bit over its decade-long run. In the beginning it used many thick lines, giving the art a round, bouncy, cartoon like look.
Over time the lines became thinner and crosshatching and line shading is now used extensively.
The characters' features have become more loose to the point where Zoro, for example, can look buffoonish one frame and a hard-boiled swordsman the next.
Luffy can appear more grown up at one point before once again becoming more child-like later on. This carries over to many other characters.
Chopper did not start out looking as chibi as he does now, though he was always considered cute. The backgrounds and layouts were more simple in comparison to more recent ones.
While they were functional and well drawn, the earlier panels do not quite reach the complexity that they have now.
The change in style is actually extremely appropriate, as the art seems to get more detailed and emotionally intense as the story gets progressively darker and more mature.
Sign In Don't have an account? Start a Wiki. This here is the th Featured Article. Contents [ show ]. Oda's avatar at age Chiaki Inaba.
Odacchi in "Dream Soccer King! Note the use of Nihon-shiki romanization. Luffy from Romance Dawn, Version 1. Luffy from Romance Dawn, Version 2.
Luffy from the One Piece version of Romance Dawn. One Piece Podcast. May 31, Archived from the original on June 25, Retrieved February 23, Oricon in Japanese.
April 3, Archived from the original on April 9, Retrieved April 9, Anime News Network. April 2, Archived from the original on April 2, Retrieved April 2, Eiichiro Oda's One Piece manga has million copies in print worldwide as of the release of the 96th compiled book volume on Friday.
That total includes million copies in print in Japan, and 80 million copies in print outside of Japan across 42 territories.
Archived from the original on March 6, Retrieved January 14, January 7, Archived from the original on January 2, Retrieved January 1, Mania Entertainment.
Archived from the original on July 27, Retrieved May 8, July 10, Archived from the original on August 22, Asahi Shimbun.
November 12, Archived from the original on February 4, June 14, Archived from the original on June 17, Retrieved June 15, October 16, Archived from the original on October 16, Retrieved October 16, Hiroyuki Nakano, editor-in-chief of Shueisha's Weekly Shonen Jump magazine, announced at a press event for Shueisha's new publications on Monday that Eiichiro Oda's One Piece manga has more than million copies in print worldwide.
The series has million copies in print in Japan and 70 million copies in print outside of Japan. May 21, Archived from the original on May 22, Retrieved May 21, March 4, Archived from the original on March 27, Retrieved March 13, Today on the release day of its latest 92nd tankobon volume in Japan, it is confirmed that Eiichiro Oda's One Piece fantasy action manga has printed million copies worldwide million in Japan, 70 million abroad.
November 27, Archived from the original on March 30, January 1, Archived from the original on March 28, May 11, Archived from the original on January 3, Archived from the original on July 19, Retrieved March 4, July 16, Archived from the original on September 11, Retrieved February 18, Archived from the original on February 1, Children on 10th One Piece film, Becky on Shin-chan".
October 21, October 18, Archived from the original on October 15, December 6, Archived from the original on December 31, Archived from the original on August 24, Retrieved July 1, Kenshin Kaden.
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