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Biography Drama. The Revenant Action Adventure Drama. Titanic The Beach I Adventure Drama Romance. Gangs of New York Crime Drama.
Catch Me If You Can Biography Crime Drama. Body of Lies Action Drama Thriller. The Man in the Iron Mask I The Basketball Diaries Edit Storyline An adaptation of F.
Taglines: I've just heard the most amazing thing Edit Did You Know? Nevertheless, it won the award. Goofs As Nick narrates his and Gatsby's story to the Doctor, he is wearing a necktie.
As a patient in a mental health facility, Nick would not be allowed to wear such a garment, given its potential to cause harm to himself or others.
Quotes [ first lines ] Nick Carraway : In my younger and more vulnerable years, my father gave me some advice. As a consequence, I'm inclined to reserve all judgements.
But even I have a limit. Crazy Credits Jay Gatsby's flower symbol is shown throughout the credits with different letters in place of the 'JG'.
The 3rd to last flower, preceding the music section, has 'JZ' in it an homage to the film's soundtrack producer Jay-Z.
The last flower has the movie's traditional 'JG' in it. User Reviews The soundtrack made it unbearable 14 August by kendavies — See all my reviews.
Was this review helpful to you? Yes No Report this. Q: How many of the songs are omitted from the soundtrack?
Q: What are some of the differences between this film and the novel? Country: Australia USA. Language: English.
Production Co: Warner Bros. Runtime: min. Color: Color. Edit page. Clear your history. Meyer Wolfsheim. You're going to have to budget at least an hour and a half, but likely more, if you want to watch a Gatsby movie.
The runtimes for each of the movies is as follows:. Especially with the incredibly busy schedules many students have these days, it could be hard to find the time to devote two and a half hours to watching a Gatsby movie, on top of the time it takes to read the book.
Also, keep in mind the book is relatively short—in the time it takes to watch one of the movies you could easily read at least half of the book.
Obviously, no movie can perfectly adapt a book, so everything from small details like Daisy's hair color to large plot events like Tom blatantly telling George that Gatsby is the killer in the film can be changed.
This could be a problem if you mix up a scene that occurred only in one of the movies with something from the book when working on an assignment.
With any film, the director along with the screenwriter, cinematographer, actors, and the rest of the crew has a certain version or message that she brings to life.
This can get a bit complicated in book adaptations, since a book—especially one as rich and layered as Gatsby—can contain a variety of messages and themes, but a director might choose to highlight just one or two.
As a brief example, the movie emphasizes Gatsby's criminal enterprises and can almost read like a morality tale.
But the movie puts Gatsby and Daisy's failed love affair front and center. The potential issue with this is that if you watch just one movie, and skip the book, you could totally miss a larger theme that the book clearly shows, like the false hope of the American Dream, contentious race relations in the s, or the inability to truly recapture the past.
In short, make sure you understand that while a movie has to focus on just one or two themes to be coherent, a book can present many more, and you definitely have to read Gatsby to understand the various themes it touches on.
With those pros and cons in mind, you can read on to learn more about each film adaptation to decide if you want to watch one or all of them!
The first big adaptation of The Great G atsby came in , just as the book was becoming more popular but before it had really settled in as classic American novel.
So this movie, made by Paramount Pictures, is not very high budget and mainly relies on the star power of Alan Ladd as Gatsby to sell the film.
Perhaps the studio was right to lean on Ladd, because it turns out that Ladd's performance is the main aspect of this adaptation worth watching.
He brings an incredibly layered performance of Gatsby in a performance that's, unfortunately, much better than the movie around him. This film isn't as accurate to the book's plot as later adaptations—it focuses more on Gatsby's criminal enterprises, makes Jordan more significant, and ends with Nick and Jordan married.
It's also lower budget than the later productions and has more of a film noir feel. Plus, the other actors, particularly Betty Field as Daisy, aren't nearly as good as the lead, making the overall cast weaker than later productions.
Though Shelley Winters is fantastic as Myrtle. This film is also harder to find since it's older and not readily available on streaming services like Netflix.
Your best bet would be checking out a few clips on YouTube, tracking down a DVD copy at a local library, or purchasing it on Amazon.
But for most students, one of the later adaptations will likely be a better choice. The version of The Great Gatsby sometimes referred to as the "Robert Redford Great Gatsby " was Hollywood's second attempt at adapting the novel, and by all accounts everyone involved was working a lot harder to do the book justice.
It had a really large budget, brought in Francis Ford Coppola to adapt the screenplay, and cast big name actors like Robert Redford and Mia Farrow.
The costumes and sets are stunning. However, some critics noted the expensive scenery somewhat takes away from some of the authenticity of the book —for example, in the scene where Daisy and Gatsby reunite, the weather is sunny instead of rainy, presumably because the rain would have ruined the costumes.
Despite these blips, Coppola's screenplay is much more loyal to the book's plot than the version. However, the movie fails to channel the energy and passion of the novel, and so can fall flat or even become dull.
Redford received mixed reviews for his performance. He crafts two characters—the suave Jay Gatsby and the hardscrabble Jay Gatz—which some reviewers like and others find a bit heavy-handed.
It's much less subtle than Ladd's performance, in my opinion. Sam Waterston is great as Nick Carraway.
Mia Farrow's portrayal of Daisy has become our culture's image of this character, despite her blonde hair and waifish figure. In the book, Daisy is described as having dark hair, and was meant to resemble Ginevra King and Zelda Sayre.
All in all, this is a mostly faithful adaptation of the book with beautiful sets, costumes, and some good performances.
Especially compared to the more raucous version, this is probably the closest movie we have to a page-to-screen adaptation of Gatsby.
The downside is that it's somewhat low energy, and lacks a lot of the zip and wit of the novel. This version is available on Netflix streaming, so if you have a Netflix account, it's really easy to watch.
This movie is decently accurate, but because of its shorter run time, there are some cuts to the plot. It also has a few odd additions, like Daisy coming up with the name "Gatsby" instead of Gatsby himself.
Paul Rudd as Carraway and Mira Sorvino as Daisy were mostly considered good casting choices, but the Gatsby here Toby Stephens wasn't great—rather lifeless and unenthusiastic.
I also didn't love Jordan, especially compared to Elizabeth Debicki's Jordan in the film. Heather Goldenhersh's Myrtle is an interesting take, as well—she's more meek and pitiable than other Myrtles especially Shelley Winters and Isla Fisher , which is a bit strange but I think it makes for a more sympathetic character.
This film also has much lower production values since it was made for TV, so it doesn't have the escapist feel of either the Redford or Luhrmann films.
The party scenes are especially sparse. I would consider watching this if you want a film mostly accurate to the book that also moves along more quickly, since it has a shorter run time.
It's also a good choice if you want to see some great characterizations of Nick and Daisy. Teachers, this might be a good choice if you want to show a version of the film in class but don't have two and a half hours to spend on the or versions.
This one is likely the Gatsby movie you are most familiar with. Directed by Baz Luhrmann, this Gatsby has the eye-popping visuals, dancing scenes, high energy and big production values his movies are known for.
In other words, this adaptation has all of the energy and enthusiasm the previous two adaptations were lacking. However, there are some pretty big plot diversions here.
For example, the movie uses a completely different frame—Nick is a bitter, institutionalized alcoholic looking back at the summer he spent with Gatsby, rather than just a disenchanted former bond salesman like in the novel.
Bill McKay is a candidate for the U. Senate from California. He has no hope of winning, so he is willing to tweak the establishment.
A rodeo star past his prime steals his company's horse and rides into the desert, with a feisty reporter accompanying him.
Paul, a conservative young lawyer, marries the vivacious Corie. Their highly passionate relationship descends into comical discord in a five-flight New York City walk-up apartment.
A bookish CIA researcher finds all his co-workers dead, and must outwit those responsible until he figures out who he can really trust.
A New York district attorney works and flirts with his adversary and her kooky artist client, who is on trial for a murder she didn't commit.
The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate. Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbor, the nouveau riche Jay Gatsby.
He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy. Well,it is by now the best version of Gatsby,and I've seen three of the total four all except the version,anyway unobtainable today.
I think this one came closest to the original novel,yet much different from the original Fitzgerald novel-which,by the way is one of the best,if not the absolute best American novel ever to be written.
Nevertheless,in spite of all the flaws mentioned above,the film still captures the enthralling beauty of the roaring twenties,being visually lush-the rich colors,textures,images used are so lavish,so lush,so intense that they almost seem disturbing.
The costumes are stylish and extravagantly elegant,the music is authentic jazz and makes you want to get up and dance the Charleston.
But some of the actors are clearly miscast,including Redford in the title role which he even copies two decades later in Indecent Proposal,where he appears as an unhappy,mysterious billionaire craving to re-live the love lost in his shady past and willing to pay every price for it,thinking that his money and power could buy anything and anyone.
Robert Redford does a fairly good job as Gatsby,but is clearly not the best choice. Gatsby is actually more mysterious than the athletic sunny-boy Redford,maybe not even handsome,however far more charismatic,expressive,even more eccentric.
Gatsby could have been depicted in a darker way,as he made his Fortune by using shady means during Prohibition "he killed a man" While Mia Farrow's performance as Daisy lacks originality,style,beauty,chemistry,just about everything.
However there is something that Mia Farrow does excellently in her portrayal of Daisy-she looks extremely superficial,careless,vapid,insensitively spoiled and incapable of being serious or reasonable for one single second.
The supporting cast on the other hand somewhat balances the film's flaws:Sam Waterson is credible as a mature,reliable,discreet,modest,intelligent,trustworthy Nick Carraway,just like in the book,Karen Black and Lois Chiles are also fitting well into their roles,while Scott Wilson as the mentally troubled,yet pure husband of Tom's mistress,plays his haunting part so well,that he somewhat resembles Peter Seller's genius to depict haunting,neurotic characters Sellers would have been right for this part too.
All in all this film is pleasant to watch and entertaining,but not Jack Clayton's ultimate masterpiece-is first watched it I was seduced by its visual splendor,watching it several times again,it gradually lost the magic I remembered.
Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites.
Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews.
User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Das passt zum Leben der Titelfigur, das selbst märchenhafte Inszenierung ist - ein Köder für Daisy Carey Mulligan , die sich vor Jahren gegen Gatsby und für das Geld ihres vulgäreren und untreuen Mannes entschieden hat.
Luhrmanns Eigenwilligkeit zeigt sich dabei über Stil und Anachronismen hinaus am deutlichsten in der Darstellung Gatsbys, in sporadischer Überzeichnung, besonders beim ersten Wiedersehen mit Daisy.
Entsprechend energetisch legt Luhrmann los: Die Leinwand scheint beinahe zu bersten vor kleinen, bunten Details. Ein Film als Knallbonbon.
Gigantische Häuserschluchten in der Stadt, Gatsbys Villa als Partytempel, riesige Treppenflure und darüber, darunter, dazwischen: Menschen, singend, tanzend, in grellen Farben zuckend.
Überhaupt gibt sich der erste Teil des Films einem hemmungslosen Geschwindigkeitsrausch hin, Motoren und Lautsprecher heulen auf, und um all das herum herrscht ein einziges ekstatisches Gewusel.
Fitzgerald schrieb seinen Roman und erzählte davon, wie sich eine Gesellschaftsschicht aus den Trümmern der Vergangenheit ihre eigenen Lügengebäude errichtete.
Heute lesen wir Gatsbys Aufstieg und Fall eher als Geschichte von Rausch und Kater, als drohende Mahnung einer Katastrophe, die da erst noch kommen sollte.
Je deutlicher sich Gatsbys Vergangenheit jedenfalls entfaltet, desto zurückhaltender wird Luhrmanns Inszenierung, desto bescheidener seine Kulissen.
Spätestens jetzt fällt auf, wie künstlich Luhrmanns häufiger Verzicht auf Tiefenschärfe die Figuren im Vordergrund des 3D-Bildes erscheinen lässt: Sie sehen aus wie Klebebildchen, die einer trostlosen Welt aufgepappt sind.